Today would be Marilyn’s 93rd Birthday, she has been in my life for almost a decade and I still find it so surreal to think that in theory, she should still be here. Sadly, we all know that is not the case and the reality is that Marilyn left the world over fifty five years ago. It’s sometimes hard to comprehend that Marilyn wasn’t just a Hollywood Star but a human being, just like you and me. However, today is not for dwelling, it is a very important day to millions of fans and myself, as the worlds Brightest Star is ultimately still shining half a century later!
To celebrate Marilyn’s big day, I usually spend it in the best way I know possible, having a Movie Marathon watching my favourite Actress. Unfortunately, so many people see Marilyn as just another silly Blonde Bombshell who didn’t have much talent and was basically playing herself on the screen. However, I can’t emphasize enough that the sweet, lovable, pretty face was so much more than what people perceive. As someone who has watched her films a countless number of times, I actually appreciate her comedic performances over her dramatic ones. This is because people tend to view dramas with more acclaim and respect and the Award Shows further prove this, when in fact comedies should not be overlooked.
In the wise words of Vivien Leigh – an Actress who yes, was more respected critically than Marilyn, but, ultimately was more appreciated more for her looks too,
“Comedy is much more difficult than tragedy – and a much better training, I think. It’s much easier to make people cry than to make them laugh.”
Marilyn was incredibly dedicated to her craft and spent numerous hours educating herself on the Performing Arts and trying to be the best she could possibly be. When you learn about Marilyn you realize how much she suffered mentally and the strength she must have found to deliver such beautiful performances. It hurts to think that she didn’t always feel like the bubbly Blonde Bombshell so many know and love her for, as no one more than Marilyn deserved to be appreciated and loved. She was such a perfectionist and would spend hours analyzing and being critical of her acting abilities and performance in each film.
“We not only want to be good, we have to be. You know, when they talk about nervousness, my teacher, Lee Strasberg, when I said to him, “I don’t know what’s wrong with me but I’m a little nervous,” he said, “When you’re not, give up, because nervousness indicates sensitivity.” Also, a struggle with shyness is in every actor more than anyone can imagine. There is a censor inside us that says to what degree do we let go, like a child playing. I guess people think we just go out there, and you know, that’s all we do. Just do it. But it’s a real struggle. I’m one of the world’s most self-conscious people. I really have to struggle.”
– Marilyn to Journalist Richard Meryman for LIFE Magazine, published on August 17th 1962.
Therefore, I thought it would be appropriate to choose five of Marilyn’s films in which she believed she gave the best performances or received great critical acclaim, to recommend for others to watch. If there is any day that Marilyn should be celebrated (personally, I believe it’s all day every day) than it is on her Birthday.
Whilst looking through reviews of Marilyn’s films that were published during their original releases, it’s shocking to me to read the downright prejudice, sexism and ignorance surrounding her as an Actress. I’ve said it before and I’ll say it again, in my belief Marilyn was the greatest Actress of all time as it seems that even then, 99% of people believed she was just playing herself. Therefore, in believing their own ignorance, critics could continue their lack of acclaim and respect for ultimately, an extremely talented woman.
• The Asphalt Jungle (1950) and The Seven Year Itch (1955)
Person to Person television appearance interview on April 8th 1955.
“Marilyn, what’s the best part you ever had in a movie?” – Edward R. Murrow
“Well one of the best parts I’ve ever had was, in The Asphalt Jungle, John Huston’s Picture and then, The Seven Year Itch, Billy Wilder’s Picture.” – Marilyn
“You think that’s going to be a big one too, don’t you? The Seven Year Itch.” – Edward R. Murrow
“I think it will be a very good Picture and I would like to continue making this type of Picture.” – Marilyn
Dallas Morning News Review by Harold Hefferman published on June 18th 1950.
“Virtually unbilled and unidentified in a current movie, Asphalt Jungle, Marilyn’s breathtaking appearance immediately piques fandom’s curiosity and imagination. Not since the brief introduction of another tempestuous blond, Shelley Winters, three years ago in A Double Life, has a newcomer stirred up so much interest.”
• Gentlemen Prefer Blondes (1953)
LIFE Magazine Interview with Journalist Richard Meryman published on August 17th 1962.
“I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell – she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn’t get a dressing room. Finally, I really got to this kind of level and I said, “Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!” Because still they always kept saying, “Remember, you’re not a star.” I said, “Well, whatever I am, I am the blonde!” – Marilyn
The Los Angeles Times Review by Edwin Schallert on August 1st 1953.
“Miss Monroe sparkles much of the time just as the diamonds do. Her work is insidiously intriguing in this picture, and at the same time almost childlike in its utter lack of guile. Her portrayal demonstrates that much may be maneuvered in her instance in the future to humorous advantage. She discloses a surprising light comedy touch.”
Time Magazine Review on July 27th 1953.
“As Lorelei Lee, who believes that diamonds are a girl’s best friend, Marilyn Monroe does the best job of her short career to date. [She] sings remarkably well, dances, or rather undulates all over, flutters the heaviest eyelids in show business and breathlessly delivers such lines of dialogue as, “Coupons – that’s almost like money,” as if she were in the throes of a grand passion.”
• Bus Stop (1956)
Speaking to reporters upon her arrival back in Hollywood to film Bus Stop, on February 25th 1956.
“Marilyn, are you happy to come back and do this Picture, are you pleased with the Bus- Picture Bus Stop?” – Reporter
“Oh yes, very much, I’m looking forward to working with Josh Logan, doing the Picture and it’s good to be back.” – Marilyn
“Was he in your selection as a Director?” – Reporter
“Twentieth Century Fox selected him and I have Director Approval and they asked if I would approve of him and definitely.” – Marilyn
“So you’re very happy, you think you’re going to make a very good Picture?” – Reporter
“I hope we do make a good picture, yes.” – Marilyn
The New York Times Review by Bosley Crowther published on September 1st 1956.
“HOLD onto your chairs, everybody, and get set for a rattling surprise. Marilyn Monroe has finally proved herself an actress in “Bus Stop.” She and the picture are swell!”
• Some Like It Hot (1959)
Variety Film Review published on February 24th 1959.
“To coin a phrase, Marilyn has never looked better. Her performance as “Sugar,” the fuzzy blonde who likes saxophone players “and men with glasses” has a deliciously naive quality. She’s a comedienne with that combination of sex appeal and timing that just can’t be beat.”
The New York Times Review by A. H. Weiler published on March 30th 1959.
“As the hand’s somewhat simple singer-ukulele player, Miss Monroe, whose figure simply cannot be overlooked, contributes more assets than the obvious ones to this madcap romp. As a pushover for gin and the tonic effect of saxophone players, she sings a couple of whispery old numbers (“Running Wild” and “I Wanna Be Loved by You”) and also proves to be the epitome of a dumb blonde and a talented comedienne.”
I hope however you choose to spend this day, you take a moment to think about Marilyn and in her own words, hold a good thought for her as if anyone deserved that, it was she.
“I Love Marilyn” by Sidney Skolsky published in Modern Screen Magazine in October 1953.
“Before the picture flashed on the screen, Marilyn whispered to me in that low, sexy voice that is natural with her: “Hold a good thought for me.” She always says that when embarking on an venture. She feels much better when you tell her you will.”
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